BEAUTY AND THE MACABRE
(Gallerysmith Project Space, North Melbourne, October 2017)
Close to Krieger's heart is the vulnerability of animals and the transient nature of life. Her body of work explores how human activity has affected Australian wildlife today. Through deforestation, fossil fuels and introduced species we are rapidly damaging our eco system.
Beauty and the Macabre displays both the positive and negative changes that have been made through our own doing and undoing. Extinction and climate change are the ugly elements of our intervention, but there's also stories of survival and rejuvenation through programmes to save our endangered species.
Influenced by the movements of the Vanitas and Momento Mori, Krieger chose not to delve too deeply into death and decay but produced a body of work implementing her own arrangements of unstill life. Her paintings display collections of Australian flora and fauna, including the living, extinct and endangered.
The viewer is firstly drawn to the beauty of the work, only to question its inference.

I am Sam (in honour of Sam from Black Saturday), oil on board, 50cm

Newborn, oil on board, 50cm

Spring lamb, oil on linen, 107 x 122cm

Ewe, oil on board, 50cm

Duck l’orange, oil on board, 50 x 60cm

Pink ice, oil on board, 50 x 60cm

Dinosauresque, oil on board, 50 x 60cm

Silver princess, oil on linen, 91 x 122cm

The gesture, oil on linen, 107 x 122cm

Roo, oil on linen, 92 x 122cm

Vanishing point, oil on linen, 91 x 122cm

Devil of a time, oil on board, 50cm

Pork and apple sauce, oil on linen, 107 x 122cm

Black Saturday, oil on board, 50 x 60cm

Something borrowed, something blue, oil on board, 50 x 60cm